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New York Art Trip 2018 – Art Museum Tour

Walk the Arts

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From Thurs. March 15 to Sun. March 18, 2018. Three nights and four days in Midtown Manhattan visiting the MoMa, the Met, the Whitney Biennial, the Guggenheim, the Chelsea galleries and more. Motorcoach tour from Ottawa, Canada. Participants from other locations can join us in NYC.

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Water-based Monotype Workshop

Instructor, Lisa Mackie

Create a series of water-based monotypes during this 2 day intensive workshop.

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WSA Landscape Workshop

Instructor, Peter Clapper

Paint directly from the Woodstock landscape in this plein-air workshop. See and paint the unique color and light that is Woodstock in the late summer.

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Works On Paper Workshop

Instructor, Kate McGloughlin
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Using basic monotype techniques as a springboard, this workshop will explore the world of visual possibilities available to artists using both wet and dry media to create rich, highly developed works of art.

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Woodstock Plein-Air Fall Foliage Landscape Workshop

Instructor, Peter Clapper

Immerse yourself in the light and color that is fall in Woodstock, NY. Paint at the height of the changing seasons saturated with reds, yellows, and golds, bouncing off their surroundings. Bring your palette knife and carve your way into the landscape, nestled in the heart of the Catskill Mountains.

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Transparency & Radiance Workshop September

Instructor, Meredith Rosier

Ponder the glory of emanating light by J. M. Turner or the opulent ink washes of Victor Hugo and the water reflections of Frits Thaulow. Present day artists continue their process of discovery in the portrayal of illusionary space with an expansive array of materials.

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Transparency & Radiance Workshop April

Instructor, Meredith Rosier

Transparency is perhaps the most enchanting method of conducting light and space, seen as playing a formative role in drawing and painting for centuries.

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The Poetic Landscape Workshop

Instructor, Elizabeth Mowry

This studio workshop will be most useful to pastel artists having some experience with the medium. The focus of this pastel workshop will be to create evocative landscape compositions using only natural landscape components.

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The Oil Portrait Sketch Workshop

Instructor, Lois Woolley

Learn how to catch a likeness in a spirited, sketchy approach to portraiture. Combining alla-prima, large brushwork with sensitive line, one can complete this kind of oil portrait in just a few hours. Woolley will demonstrate how on Saturday morning.

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The Black & White Linocut: Exploring Texture, Value, Contrast Workshop

Instructor, Karen Whitman

This linocut workshop, for beginners to advanced students, explores the many ways drama and impact can be accomplished through effective combinations of blacks, whites and tones and the skillful use of a variety of tools.

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The Abstract Landscape Workshop 3

Instructor, Donald Elder

Working with oils or acrylics on paper, students will create landscapes in an abstract impressionist style from reference materials or their imagination.

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The Abstract Landscape Workshop 2

Instructor, Donald Elder

Workshop will encourage self-expression through use of color.

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The Abstract Landscape Workshop 1

Instructor, Donald Elder

Working with oils or acrylics on paper, students will create abstract landscapes in an impressionist style from reference materials or their imagination.

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Simplifying the June Landscape Workshop

Instructor, Kate McGloughlin

Kate McGloughlin’s Simplifying the Landscape Workshops help painters navigate the visual pitfalls and stumbling blocks that can make painting on location overwhelming. This course was designed to help artists simplify their approach to landscape painting, and learn the practical aspects of painting in the field.

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Simplifying the July Landscape Workshop

Instructor, Kate McGloughlin

Each Wednesday during the summer in Woodstock, NY, a group of artists meet at a bucolic, private location to capture the essence of place creating meaningful sketch book entries .

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Silk Aquatint Workshop

Instructor, Julio Valdez

Silk Aquatint is a versatile alternative to traditional printmaking techniques.This is a great technique for painters and watercolor artists at any stage.

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Seeing Color and Light Workshop

Instructor, Karen O'Neil

This workshop is specific to the study of light, and its effect on color. Natural and artificial light sources, how they differ, and why this is relevant to a painter are demonstrated and discussed during this two day workshop.

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Pronto Plate Printmaking Workshop

Instructor, Susan Newbold

The use of Pronto Plates is an easy, and non-toxic lithographic method of printing.

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Portraits From Photographic Reference Workshop 2

Instructor, Claire Lambe
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In this class students have the opportunity to work and be mentored on portraits of friends and family members using photographs as reference.

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Portraits From Photographic Reference Workshop

Instructor, Claire Lambe

In this workshop students have the opportunity to work and be mentored on portraits of friends and family members using photographs as reference.

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Plein Air Painting in Acrylic, Oil or Pastel Workshop

Instructor, Robert Carsten

Whether a beginner or advanced painter, plein air painting teaches all of us about the exquisite, ever-changing qualities of our world.

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PAINTING THE PORTRAIT IN PASTEL WORKSHOP

Instructor, Ellen Eagle

In this portraiture workshop, we will observe with a clear and careful eye our model’s unique structure, color, value relationships and posture.

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Painting The Figure With The Prismatic Palette Workshop

Instructor, John Varriano

This workshop will explore the prismatic qualities of light observed in nature. Students will learn to see light progressions on forms in terms of color temperature as well as value, and how to use a basic artist’s palette to express the full range of the color spectrum.

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Painting Roses Workshop

Instructor, Karen O'Neil

This workshop is designed for students who desire a two day span of time to devote to studying the exquisite form of roses. Radiant, luminous and alive, roses captivate a sensitive painter’s soul, and set off sparks of energy that excite the viewer’s imagination and senses.

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Monotype Workshop 2

Instructor, Kate McGloughlin

Students will explore the world of the unique print through demonstrations and hands on experimentation with ink, paper and press.

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Monotype Workshop 1

Instructor, Kate McGloughlin

Open to artists of every stripe, this workshop is designed to open artistic blocks in painters and demystify the printmaking studio at The Woodstock School of Art.

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Mokuhanga: Japanese Water Based Woodcut Workshop

Instructor, Florence Neal

Printmakers know the beauty of Japanese woodblock prints. Contemporary artists are enjoying this technique that develops their deep concentration, keen observation and hand skills using natural and non-toxic materials.

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Making Monotypes With Water Based Media: A Non Toxic Approach To Printmaking Workshop

Instructor, Anthony Kirk

Participants will be shown how to prepare and use mat board printing plates that have the texture of mild sandpaper and are therefore conducive to drawing with water soluble crayons and painting with water based printing ink.

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Making Color Work Wonders Workshop

Instructor, Robert Carsten

Color is emotion in a painting. Join master pastelist Robert in exploring varied ways to express our feelings in our paintings by using fresh color combinations through “pushed” color, saturation contrasts, disassociated color, color proportioning and more.

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Lithography Workshop 3

Instructor, Ron Netsky

Lithography has a long tradition in Woodstock. Beginning about 100 years ago, Woodstock became a center of activity for American lithography.

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Lithography Workshop 2

Instructor, Ron Netsky

Students will draw black-and-white images with lithographic crayons and pencils, and learn the fascinating process of etching the stones and printing editions from them.

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Lithography Workshop 1

Instructor, Ron Netsky

In this intensive, two-day lithography workshop students will print a maximum of two images from prepared stones which will be provided.

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Large Scale Contemporary Drawing In Abstraction Workshop November

Instructor, Meredith Rosier

Beginners to abstract drawing and scale will move with ease alongside a well-versed artist. The imponderability of scale is ultimately a conversation between you, space and the surface.

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Large Scale Contemporary Drawing In Abstraction Workshop March

Instructor, Meredith Rosier

The striking advantage about drawing through shifting scale is the personal spontaneity of mark making.

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Large Scale Contemporary Drawing In Abstraction Workshop December

Instructor, Meredith Rosier

Here in Large Scale Contemporary Drawing, there are no rules or regulations. This course is an escapade in shifting and sliding from the miniscule to the mammoth.

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Intensive Watercolor Workshop

Instructor, Richard Segalman

The focus of this class is on the intensity of the encounter between artist and subject, and on expression rather than details of techniques.

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Ins & Outs Of Floral Painting Workshop

Instructor, Mary Anna Goetz

May is one of the most beautiful months in the Catskills- an ideal time for the artist to create indoor floral arrangements or work en plein air. This workshop will combine both approaches.

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Illustration with Linoleum Printmaking Workshop

Instructor, Carol Zaloom

Using linoleum printmaking techniques and optional watercolor, this workshop will explore the ways in which you can bring to life your story, poem, favorite quote, or memory.

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Form and Content: Landscape Painting Intensive Workshop

instructor, Christie Scheele

Designed for students with landscape painting experience, in this workshop we will focus on finding your unique voice.

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Exploring Abstraction Workshop 2

Instructor, Jenny Nelson

October 21–22, 2017, Saturday–Sunday, 9 AM–4 PM

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Exploring Abstraction Workshop 1

Instructor, Jenny Nelson

Explore abstraction through exercises designed to open the mind to conceptual thinking.

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Embracing the Landscape Workshop

instructor, Christie Scheele

In this landscape workshop new and experienced painters alike will advance their skills, including emphasis on composition, color, and drawing.

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DRAWING THE PORTRAIT FROM LIFE WORKSHOP

Instructor, Emilie Houssart

This three-day portrait drawing workshop is focused on understanding the way that we really see, and will give you core skills that will serve you at all levels of your artistic practice.

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Drawing the Fall Bounty Workshop

Instructor, Wendy Hollender

Botanical Illustration is the art of depicting the form, color, and details of plant species. Studying nature’s forms and colors is a great way to learn about drawing and color to make beautiful realistic color in drawings.

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Drawing Spring Flowers Workshop

Wendy Hollender

Botanical Illustration is the art of depicting the form, color, and details of plant species. Studying nature’s forms and colors is a great way to learn about drawing and color to make beautiful realistic color in drawings.

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Drawing Lab: Drawing for Better Painting Workshop 2

Instructor, Jenny Nelson

Learning to see is an essential part of learning to draw.

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Drawing Lab: Drawing For Better Painting Workshop 1

Instructor, Jenny Nelson

Learning to see is an essential part of learning to draw.

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Comic Abstraction Workshop 5

Instructor, Meredith Rosier

Welcome to the revolutionary genre of our time that has captivated artists the world over and gained a significant worldwide audience.

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Comic Abstraction Workshop 4

Instructor, Meredith Rosier

The vivid exploration of Comic Abstraction is sure to embolden you to the thrill of creating graphic dynamism through color, form and panel rhythm.

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Comic Abstraction Workshop 3

Instructor, Meredith Rosier

Welcome to the revolutionary genre of our time that has captivated artists the world over and gained a significant worldwide audience.

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Comic Abstraction Workshop 2

Instructo, rMeredith Rosier

The vivid exploration of Comic Abstraction is sure to embolden you to the thrill of creating graphic dynamism through color, form and panel rhythm.

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Combining Genres In Pastel Workshop

Instructor, Robert Carsten

Learn to exercise design skills by using a more complex visual “dialogue” within your pastel paintings.

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Color, Form & Composition Through Still Life Workshop

Instructor, Hongnian Zhang

Using still life as a discipline to present Zhang’s unique “yin-yang” approach to color and composition, the student will develop skills in expressing form, space and texture.

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Color Mixing for Landscape Painters Workshop

Instructor, Christie Scheele

Color in landscape painting is infinitely complex. In this workshop, we will start with observation and identification, learning the color basics of hue, value, temperature, and tone.

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Color and Energy Workshop 3

Instructor, Karen O'Neil

These three separate two day Color & Energy Workshops with instructor Karen O’Neil are designed to feed a painter’s creative engine. The workshops are visual energy boosters for painters.

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Color and Energy Workshop 2

Instructor, Karen O'Neil

These three separate two day Color & Energy Workshops with instructor Karen O’Neil are designed to feed a painter’s creative engine. The workshops are visual energy boosters for painters.

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Color and Energy Workshop 1

Instructor, Karen O'Neil

These three separate two day Color & Energy Workshops with instructor Karen O’Neil are designed to feed a painter’s creative engine. The workshops are visual energy boosters for painters.

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Color & Light In The Landscape Workshop

Instructor, Hongnian Zhang

Painting plein-air at beautiful nearby Hudson valley sites, the student will progress from a series of small studies to completing two finished landscape paintings.

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Collagraph Workshop

Instructor, Kate McGloughlin

Collagraph is a printmaking technique which operates, as the name suggests, on the basis of collage.

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Collage Workshop 2

Instructor, Robert Ohnigian

Pasting, ripping, and cutting fragments of paper or any other materials of choice on almost any surface with a mind toward color, texture, and space.

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Collage Workshop 1

Instructor, Robert Ohnigian

Pasting, ripping, and cutting fragments of paper or any other materials of choice on almost any surface with a mind toward color, texture, and space.

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Classical Figure Drawing Workshop

Instructor, Emilie Houssart

This two-day figure drawing workshop is focused on understanding the way that we really see, and will give you core skills for creating a powerful image from life.

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Cardigraphy Workshop

Instructor, Ron Netsky

Students will create intaglio plates by using various methods of scoring into laminated cardboard.

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Carborundum Aquatint Workshop

Instructor, Anthony Kirk

Carborundum aquatint is a painterly intaglio process achieving a wide tonal range without acid, rosin or toxic chemicals usually associated with traditional aquatint.

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Atmospheric Tonalism: The Subtle Approach to Oil Painting Workshop

Instructor, Mary Anna Goetz

The Atmospheric Tonalism workshop will focus on the limited palette and atmospheric qualities of Tonalist painting.

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Artful Use Of What’s At Hand Workshop 2

Instructor, Polly Law

In the Artful Use Of What’s At Hand workshop students will explore the techniques and materials bricoleur (bricolage artist) Polly M. Law uses to make her signature “paper dolls”.

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Artful Use Of What’s At Hand Workshop 1

InstructorPolly Law

In the Artful Use Of What’s At Hand workshop students will explore the techniques and materials bricoleur (bricolage artist) Polly M. Law uses to make her signature “paper dolls”.

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Advanced Abstract Painting Workshop 2

InstructorJenny Nelson

This workshop is designed for painters interested in exploring more deeply the fundamental elements that come together to create a successful abstract painting.

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Advanced Abstract Painting Workshop 1

Instructor,Jenny Nelson

This workshop is designed for painters interested in exploring more deeply the fundamental elements that come together to create a successful abstract painting.

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Abstract Sculpture Fabrication: Working With Cardboard Workshop

Patty Mooney, Instructor

Cardboard is an incredibly versatile material that lends itself to creating dynamic sculptural forms. Students will learn a number of fabrication techniques that are designed to maintain the structural integrity of the material.

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